Samtidsmusik

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15 Halmtorvet,
Kรธbenhavn

Beskrivelse

K!ART performs a concert of works by adventurous composer Matthew Shlomowitz followed by a performance sound artist Jacob Eriksen. Works by Matthew Shlomowitz: ๐—Ÿ๐—ฒ๐˜๐˜๐—ฒ๐—ฟ ๐—ฃ๐—ถ๐—ฒ๐—ฐ๐—ฒ ๐—ก๐—ผ. ๐Ÿฑ: ๐—ก๐—ผ๐—ฟ๐˜๐—ต๐—ฒ๐—ฟ๐—ป ๐—–๐—ถ๐˜๐—ถ๐—ฒ๐˜€ (2008) ๐—ฆ๐˜†๐—บ๐—ฝ๐—ต๐—ผ๐—ป๐˜† ๐—ณ๐—ผ๐—ฟ ๐—ฐ๐—น๐—ฎ๐—ฟ๐—ถ๐—ป๐—ฒ๐˜, ๐—ฎ๐—ฐ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ผ๐—ป ๐—ฎ๐—ป๐—ฑ ๐—ฑ๐—ฟ๐˜‚๐—บ-๐—บ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ (โ€œ๐˜๐—ต๐—ฒ ๐—ถ๐—ป๐—ฒ๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฎ๐—ฏ๐—น๐—ฒโ€) (2023) ๐—™๐—ฎ๐˜€๐˜ ๐— ๐—ฒ๐—ฑ๐—ถ๐˜‚๐—บ ๐—ฆ๐˜„๐—ถ๐—ป๐—ด (2008) ๐—˜๐˜…๐—ฝ๐—น๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป ๐—ฃ๐—ผ๐—น๐˜†๐˜๐—ผ๐—ป๐—ฎ๐—น๐—ถ๐˜๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ๐—ฎ๐—น ๐—ช๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€, ๐—ฉ๐—ผ๐—น. ๐Ÿฑ (2024) ๐˜๐˜ฏ ๐˜ง๐˜ช๐˜ท๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด: 1. ๐˜ โ€“ ๐˜ท๐˜ช โ€“ ๐˜๐˜ โ€“ ๐˜ 2. ๐˜—๐˜ฐ๐˜ญ๐˜บ๐˜ต๐˜ฐ๐˜ฏ๐˜ข๐˜ญ ๐˜–๐˜ณ๐˜จ๐˜ข๐˜ฏ๐˜ถ๐˜ฎ 3. ๐˜›๐˜ช๐˜ฎ๐˜ฆ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ญ๐˜ถ๐˜ฅ๐˜ฆ 4. ๐˜Š๐˜ข๐˜ญ๐˜ญ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ฏ๐˜ด๐˜ธ๐˜ฆ๐˜ณ (๐˜ค๐˜ฐ-๐˜ค๐˜ฐ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ด๐˜ฆ๐˜ฅ) 5. ๐˜™๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜‰๐˜ช๐˜ฏ๐˜ข๐˜ณ๐˜บ Jacob Eriksen: [๐Ÿญ-๐Ÿด]^[๐Ÿญ-๐Ÿด] โ€œ๐—ง๐—ต๐—ฒ ๐—œ๐—ป๐—ฒ๐˜€๐—ฐ๐—ฎ๐—ฝ๐—ฎ๐—ฏ๐—น๐—ฒโ€ was inspired by a segment comedian Stewart Lee made for Comedy Vehicle on BBC Two, which is known as, โ€˜these days if you say you're English you get arrested and you'll be, you'll be just thrown in jailโ€™. Each volume of the series ๐—˜๐˜…๐—ฝ๐—น๐—ผ๐—ฟ๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐˜€ ๐—ถ๐—ป ๐—ฃ๐—ผ๐—น๐˜†๐˜๐—ผ๐—ป๐—ฎ๐—น๐—ถ๐˜๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ผ๐˜๐—ต๐—ฒ๐—ฟ ๐— ๐˜‚๐˜€๐—ถ๐—ฐ๐—ฎ๐—น ๐—ช๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€ consists of a collection of short pieces, each exploring a musical technique, texture, form, or trope. In equal part earnest and irreverent, I aim to find fresh possibilities in these approaches, many of which have fallen out of favour in contemporary music production. [๐Ÿญ-๐Ÿด]^[๐Ÿญ-๐Ÿด] is a performance exploring originally unintended utilisations of obsolete reverberation algorithms through feedback techniques. event painting by Mark Seabrook ๐˜ฑ๐˜ฆ๐˜ณ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ฆ๐˜ณ๐˜ด Andreas Borregaard [accordion] Joss Smith [clarinet] Rob Durnin [piano] Ida Nรธrby [cello] Matias Seibรฆk [percussion] Mikkel Schou [el. bass/guitar] Jacob Eriksen [hardware reverbs] tickets: 50 kr [pay at door/mobilepay] ๐˜”๐˜ข๐˜ต๐˜ต๐˜ฉ๐˜ฆ๐˜ธ ๐˜š๐˜ฉ๐˜ญ๐˜ฐ๐˜ฎ๐˜ฐ๐˜ธ๐˜ช๐˜ต๐˜ป (b. 1975) is a London based composer, raised in Adelaide, Australia. Many of his works are grouped into series: Letter Pieces are open score works combining physical action and music; pieces in Popular Contexts combine recognisable recordings with instrumental music; performance-lecture works addressing aesthetic issues, such as Lecture About Bad Music; and a new series titled Explorations in Polytonality and other Musical Wonders. ๐Š!๐€๐‘๐“ is an experimental music ensemble and creative platform based in Copenhagen. The group has been presenting DIY-flavored, intermedial music events since 2019.

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