Kombinasjonen mat, godt drikke og god og underholdende musikk er uslåelig! Derfor er det med stor forventning vi inviterer til ettermiddagstapas i Høymagasinet med vår kjente og kjære Oslo Strykekvartett på podiet.

Oslo Strykekvartett er blant de mest sentrale festivalartistene dette året. Og det er en stor selvfølge. Siden kvartetten ble grunnlagt i 1991 har de vært regnet som en av spydspissene i norsk og skandinavisk kulturliv. Ikke bare består kvartetten av eksellente musikere, men de har også en formidlingsevne som overgår mange av kollegaene. Derfor kan vi nok forvente oss en ettermiddagskonsert med mye humor og skjemt, og ikke minst fabelaktig musisering. Om programmet blir fylt av verdenskjente klassikere, jazz, musikaler eller noe annet, vet vi ikke. Heller ikke om kvartetten skal spille eller synge eller danse. Men vi vet at det blir en svært underholdende ettermiddag med nydelig tapas fra Høymagasinets kjøkken. Velkommen!

Medvirkende:

Oslo Strykekvartett:
Geir Inge Lotsberg, fiolin
Liv Hilde Klokk-Bryhn, fiolin
Magnus Boye Hansen, bratsj
Øystein Sonstad, cello

Solidly rooted in repertoire from the classical period to  the present day, Oslo String Quartet has become one of Scandinavia’s  most acclaimed and sought-after chamber ensembles. Their deep commitment  and unique ability to combine intellectual approach with vivid  presentation has attracted attention far beyond Norway’s borders. 
Oslo String Quartet was founded in 1991 by violinists Geir Inge  Lotsberg and Per Kristian Skalstad, viola player Are Sandbakken, and  cellist Øystein Sonstad. The four members each had wide experience from  playing with other ensembles and orchestras at home and abroad, coming  together to form an élite group for refined studies of the chamber music  repertoire. 
To begin with this resulted in an extensive series of  concerts at the University Aula in Oslo, where Beethoven’s string  quartets comprised the core of their programmes. In addition to other  major works for string quartet, the series included several premier  performances of works by Norwegian composers. The group made their mark internationally when they achieved a place in  the finals of the London International String Competition in 1994. 
At  the same time their recording of Edvard Grieg’s complete string  quartets was attracting attention abroad, and in 1999 the group’s  recording of the complete string quartets of Carl Nielsen was selected  as Editor’s Choice in the prestigious Gramophone magazine. After this  came numerous recordings of important works such as Alban Berg’s Lyric  Suite and Jean Sibelius’ Voces Intimae, and several newer works on  labels including Naxos, CPO, Fabra and Aurora. Wilhelm Stenhammar's  string quartets no. 3-6 were recorded by the OSQ 2006/2007, was released  by CPO in 2011. 
The groups latest recordings are Grieg Revisited  and a second volume with popular tunes arranged for the Quartet by  Øystein Sonstad, both projects for the Fabra label. 
From the very beginning Oslo String Quartet revealed a particular  interest in new music, and they regularly commission and perform works  by living composers. For their contribution to contemporary music they  were nominated “Performer of the Year” in 1998 by the Norwegian Society  of Composers, and in 1999/2000 they were awarded the Music Critics’  Prize. 
They have also been responsible for uncovering “hidden  treasures” of the Norwegian quartet repertoire; it is thanks to Oslo  String Quartet that we can today enjoy excellent recordings of works by  Fartein Valen, Klaus Egge, Johan Kvandal, David Monrad Johansen and Knut  Nystedt, among others.

Focus on presentation and experimenting with new and different  audiences has always been an important aspect of the quartet’s  activities. School concerts and mini-festivals with specially adapted  programmes have provided useful insight into communicating with  audiences. The “Beethoven Code” festival, during which Oslo String  Quartet performed Beethoven’s complete string quartets for the second  time, proved to be a major breakthrough, attracting new audience members  from a great variety of backgrounds. The key to this success lay  perhaps in the quartet’s close collaboration with a number of lecturers  and speakers who at each concert offered a new perspective on  Beethoven’s work.
In 2007 violinist Liv Hilde Klokk took over the  position of second violin. The quartet arranged two new mini-festivals:  “G-force” in conjunction with the hundredth anniversary of Edvard  Grieg’s death, and “Schubert Mysteries”. As well as continuing the  concept of a verbal perspective in the form of talks and readings, the  latter festival also introduced various musical guests. The quartet has  recently enjoyed a fruitful collaboration with the Stavanger  International Chamber Music Festival, Stavanger City of Culture 2008,  and the Norwegian National Ballet in a production called “På kammerset”  (In private). Together with choreographer Jorma Elo they have developed a  work for the stage which includes Schubert’s String Quartet in D minor,  “Death and the Maiden”. The production has been staged in Stavanger and  Kristiansand, and at Oslo’s new opera house.
As well as having been  regular guests at all the major chamber music festivals in Norway for  many years, Oslo String Quartet has been invited to major international  events, including the Schleswig Holstein festival. The quartet has  toured Germany and the rest of Europe, and given regular performances at  London’s Wigmore Hall. Their USA début in 2005, at Carnegie Hall in New  York, is the highlight of their international career to date.

Photo: Andrej Grilc

Oslo Strykekvartett

I 1989 åpnet Arve Tellefsen dørene til Norges første kammermusikkfestival. Tellefsens visjon var å vise kammermusikkens mangfold og bringe musikken ut til et større publikum enn den tradisjonelt hadde hatt i Norge til da. Festivalen har gjennom årene etablert seg som en viktig og populær aktør i norsk musikkliv, både for musikere og publikum. Under 30-årsjubileet i 2019 sendte Arve Tellefsen stafettpinnen videre til Håvard Gimse. Gimse har selv sittet i kunstnerisk råd siden 1997, og har hatt et langt samarbeid med Tellefsen som medspiller både på scenen og i arbeidet med det kunstneriske innholdet i festivalen de siste 20 årene.

Festivalen er i trygge hender fremover med disse ved roret», sa Arve Tellefsen under åpningskonserten til Oslo Kammermusikkfestival i Universitetets Aula, torsdag 15. august 2019.

Håvard Gimse takket av etter festivalen i 2022, og sendte stafettpinnen videre til Marianne Beate Kielland, som har med seg Vilde Frang videre og Wolfgang Plagge videre som nytt medlem i kunstnerisk råd.

KLASSISK MUSIKK I Norge

13. aug.

14:30

Oslo Kammermusikkfestival

Høymagasinet

Oslo

Mat & musikk med Oslo Strykekvartett

Oslo Strykekvartett

Oslo Kammermusikkfestival

13. aug.

14:30

Høymagasinet

Oslo

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